4.10.2010

Sesame Street contest

My buddy Brian Haimes posted this on Aniboom.com - check it out and take a second to register and rate his video. It's REALLY catchy and perfect for Sesame Street!

3.02.2010

LIFE Drawing!

The first figure drawing session at ArtSpace, here in Shreveport, LA, went GREAT. Here are some of my sketches from last week (click to enlarge):








2.25.2010

STAY TOONED!



Comic enthusiast and artist John Read has come out with issue 5 of his great publication, STAY TOONED! Magazine. The publication is clean, professional, and pays attention to cartoonists and comic artists. This time through, I'm honored to be a part of the issue and considered worthy of being printed on pages of such great cartoonists. John does a great job, and he does it ALL himself for the love of the art, so support him by subscribing to this truly unique publication.

My buddy Tom Richmond has been profiled, featured on the cover with his incredible illustration, and does a better job of running down what STAY TOONED! offers through past blog posts here.

2.19.2010

Cartoonist Survey

Over at David's blog, you can read a quick survey he conducted on myself and many other cartoonists. He's really building up a BIG list, some friends, some artists I admire, and others I'm just now learning about. Very cool idea.

2.16.2010

Shreveportians For Drawing!

YESSSSS.

Come one, Come all, Louisiana locals who care about your craft (or like to drink):



2.05.2010

Doodlin'

I haven't been drawing much since we ended our shoot schedule for the short film (catching up on emails, etc) but I'll be drawing a bunch this weekend and also doing a painting for some dear friends. In the meantime, here are a few doodles/sketches that I grabbed from my sketchbook, from December (click to enlarge):

12.01.2009

Salvador Dali warmup sketch

This was about 45 minutes this morning in Photoshop.

I was contemplating his mustache and decided to omit it from this sketch. I like the mystery of it... the humanity, rather than a 'character' that he always put on. He was so eccentric and character-like, and a large part of that was his 'costume', props, poses, expressions and his trademark mustache. I liked the idea of showing the human. Not hiding the expression though. He's so pensive, surely, while painting, I didn't want it to be mistaken for an 'artist' pose. This is somewhere in between, and I enjoy the simplicity of taking away his mustache.

This could almost be a death mask.




detail: